Looking at cities – São Paulo, Rio de Janeiro,
Brasília
An exhibition
presented by Instituto Moreira Salles at Paris Photo 2013
Grand Palais, Paris
14 – 17
November 2013
Photography
arrived in Rio de Janeiro in 1840, when most Brazilian cities were small rural
villages. Since then, we have seen megalopolis spring across the country. Some
of them, like São Paulo, with around 25,000 inhabitants at that time, is now
home to 20 million people. And the capital, Brasília, strategically located in
the heart of the country, was built just sixty years ago where there used to be
only retorted trees and shrubs.
Urban and
natural landscapes, and its transformations, have been one of the main subjects
of Brazilian photography and of Instituto Moreira Salles’s photography
collection of 900,000 images. This exhibition shows how Brazilian cities have
been pictured by photographers and artists while changing and expanding in new
and interesting ways.
The growing
economy of the last decades has intensified these changes, asking artists to
search for new visual practices to represent their surroundings. The time frame
also coincides with the new status photography has achieved on the art market.
The exhibition presents classical, modernist and contemporary approaches. One
of the new acquisitions, the work of Mauro Restiffe on the Luz neighborhood in
downtown São Paulo show recent urban transformations with very large analog
prints to represent decay and question renovation. Caio Reisewitz’s recent works, large and small,
investigate the boundary where constructed and natural landscape (and imagery)
meet, the same boundary that seduced Marc Ferrez since his early works in the
1860’s. Photographer Marcel Gautherot, – who was for Oscar Niemeyer’s work what
Lucien Hervé was for Le Corbusier’s, documented the construction of Brasília in
the late 1950’s. Some years later his formal, tectonic images would be echoed
by the then young photographer and would be film-maker Jorge Bodanzky’s
cinematic approach of the new capital, produced on the same year Brazil
submerged under twenty years of military dictatorship (1964-1985). Other
artists, like Rosangela Rennó, use the book form to investigate photography as
history, as art and as value, in a country where less than two-hundred years of
incommensurable change have transformed the historical photographic legacy both
in objects of knowledge and also of desire and greed.
Since its
foundation in 1992, IMS has been a cultural institution dedicated to the
preservation, research and interpretation, through critical thinking, of
Brazilian culture. In keeping with this mission, it has elected photography as
its priority field of activity. In 2011, IMS launched ZUM, a contemporary
photography magazine, and started collecting Brazilian contemporary photography
on a regular basis.
Sergio Burgi –
Photography Coordinator
Thyago
Nogueira – Contemporary Photography Coordinator, ZUM Magazine Editor
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